04.24.2025 — Third class of the Master’s at EINA

This Saturday, April 26th, we return to the eternal love affair between theatre and museography, with an essential stop in the metaverse and those immersive projections that embrace you as if you were part of the set… or a National Geographic documentary.

I’ll be sharing the full creative process behind The Worlds of Alice, the exhibition I’ve designed for the "la Caixa" Foundation —with rabbits, queens, and a lot of invisible work behind the scenes.

And to give a bit of emotional-historical context, I’m bringing back this photo from my first international project: costume design for the ballet La fille mal gardée, at the Wroclaw Opera House, Poland.

It was 1991. The country had just come out of communism. I arrived with a suitcase full of dreams… and no idea how to pronounce Wroclaw.

Choreography by Barbara Kasprowicz.
Photo by Adam Hawalej.

On the day of the dress rehearsal, by protocol, I had to visit every department in the theatre: stagehands, lighting technicians, costume makers. And in each workshop, a little shot of vodka —żubrówka, to be precise. By the fourth shot, I was already a circus.